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Various Artists
Don't Forget The Motorcity
(Wienerworld)

A three disc compilation boasting (count ‘em) 100 videos and featuring some of Detroit's greatest artists, with performances from the likes of Edwin Starr, Mary Wilson, the Supremes, Martha Reeves, The Marvelettes, Billy Preston and lesser known but no less important artists like Chuck Jackson, The Elgins, Johnny Bristol and Brenda Holloway, indeed it’s the very fact that most of these artists are seen as the less luminary workers from the Motorcity factory line that makes this an even more mouth-watering prospect as much of the material has never been seen before, and there are some lost Motown classics to be found here. The presentation is suitably Wheeltappers and Shunters Social Club and if no footage exists then the, slightly portlier, slightly balder performers are filmed on hotel balcony’s or in peoples front rooms and if this sounds cheesy it is, but in a good way and would be a real blast for a big old gay night in with the boys or one to stick on if you want to impress your northern soul loving friends. Sadly over half these artists are no longer with us, but this priceless footage remains.

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Various Artists

Unless you happened to find yourself in San Francisco at the birth of the seventies, or more specifically in or around the Family Dog Ballroom, then it’s unlikely you would have caught this night of live frivolity soundtracked by Haight-Ashbury scenesters Santana, the Grateful Dead and Jefferson Airplane. Produced by poet and writer Ralph J. Gleason, as part of a documentary series for the National Educational Television Network, the film boasts one of the only known Dead performances on film featuring original member Ron "Pig Pen" McKernan and an all-star jam – featuring just about all of the people present. The high point is undoubtedly the two tracks from Santana (the Dead get three and Airplane two), which captures the band in high octane Latin rock mode and is worth the price of the DVD alone. Less impressive but still occasionally hitting the spot - and fascinating from a purely historical point of view - are the Dead and Airplane sets, and in truth the jam seriously outstays it’s welcome (perhaps if you were stoned it would have made more sense), but despite it’s limitations this is a great document of a moment in musical history that still resonates today.

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Athens, G.A

As the title suggests this is a movie about small-town America’s Athens Georgia and the vibrant music scene which influenced, grew up alongside, and subsequently grew out of, the success of R.E.M and the B-52s. Originally made in 1987 by director Tony Gayton and producer Bill Cody and filmed in wonderfully, realistic, shaky lo-fi wobble vision the film offers a grainy but enticing vision of Athens as a hotbed of musical talent and includes a couple of very early, and very fine, performances by R.E.M. Along the way we meet most of the main players and are introduced to gone-but-not-forgotten local heroes like Limbo District and the Pylons. To their credit the filmmakers don’t just stick to young performers they also track down loveable old eccentrics like Rev. D Ruth and Rev. Howard Finster. The film also catches Dreams So Real (a bit like Talk Talk), B B Que Killers, (punk racket), Flat Duo Jets (guitar and drum based minimal rock’n’roll), Time Toy (new wave), Love Tractor (psyched indie jangle), the Squalls (grown up pop) and many more. The film now comes with a slew of extras including audio commentary, more talking heads (including extra B-52’s interview material) and bonus audio tracks.

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Best Of Later...
With Joolz Holland 2000 - 2006
(Warner Music Vision)

Released at the end of 2006 this has nonetheless found it’s way back to the DVD player so often it’s muscled its way into the 2007 review pile. You know the format, so no surprises there (although those of you who find Mr Holland’s links a bit irritating will be pleased to hear this can be viewed as a link free zone). High points are many and varied, but particularly worthy of mention are the ludicrously young Arctic Monkeys’ adrenaline fuelled clatter, the cacophonously ramshackle Arcade Fire, the glacial Sigur Ros, the frankly mental Flaming Lips, the mighty skank of Toots & The Maytals, the beautifully eccentric Cat Power, an initially muted ‘Alive’ by Pearl Jam which midway becomes a real goosebumper and only a lunatic could fail to love Gnarls Barkley’s ‘Crazy’ all this and there’s still some wonderful archive material from previous Later DVD’s including PJ Harvey, Joe Strummer, Muse and Queens Of The Stone Age. In truth, the reliably rubbish Babyshambles aside, there really isn’t a stinker on this, but given the wide range of musical styles there will undoubtedly be favourite moments and the ability to programme your own six track running list is a welcome inclusion.

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Various Artists
Rock S'Cool
(SPV)

From the crass Spinal Tap-esque cover and cringe inducing title to the muscular, testosterone fuelled, vein bulging – oddly homoerotic – grimacing combatants populating the grainy, blood and sweat soaked post apocalyptic, scaffolding strewn settings found within this DVD (unless of course you’re Tommy Lee in which case acres of female flesh will suffice) to the shrieking fingers down a blackboard menu screens this DVD howls ‘metal’. Naturally enough hell, demons, spirits, whores and the general hardships faced by comfortably off white boys feature heavily, and who would have though anyone could make ‘Bullet The Blue Sky’ any more bombastic, take a bow Sepultura. Kamelot are unintentionally hilarious and Doro and Saga are just plain rubbish. It’s not all studded clunking tho’, the best moments belong to Skinny Puppy’s bone crunching break dance face-of ‘Pro Test’ with Raging Speedhorn’s ‘How Much Can A Man Take?’ and Biohazard’s ‘Sellout’ out testosterone-ing everything else here by a muscular mile. If grunting train-crash riffage from the likes of Motorhead, Judas Priest and Helloween (a whopping thirty-one videos in all) appeals then this will be manna from, erm, hell, and iPod metal-heads will be further pleased to note there is an iPod download facility (actually a great idea).

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Velvet Underground
Velvet Redux: Live MCMXCIII
(Warner Music Vision)

For anyone who attended – and doubtless many thousands more unlucky enough to be geographically challenged vis-a-vis the limited touring schedule – this reformation would have been as thrilling a prospect as the second coming would be to God botherers the world over (and, up until this point, about as likely). This excitement was tempered by the fear that the ‘classic’ line-up - back together for the first time since their messy divorce in 1968 - could have been a disaster. Fortunately for all concerned this fear proved totally unfounded, from the opening violin scrapes of ‘Venus In Furs’ to the sombre closing bars of ‘Coyote’. Lyrics are garbled (Reed) and mixed up (Cale), but high points are many including a wonderful Cale fronted ‘Femme Fatale’, Moe Tuckers moment in the spotlight on ‘I’m Sticking With You’, a grin inducing vari-speed ‘Heroin’, a supremely scrappy ‘White Light/White Heat’ and wickedly grimy C&W ‘Pale Blue Eyes’, the audience throughout clearly aware that this is a very special show indeed. Since then Cale and Reed have again spat the dummy and Morrison tragically lost his fight with cancer, so this is it, all the Velvet Underground material we’re gonna get as the band bow out, their legendary status forever intact.

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Various Artists
For Those About To Rock: Monsters In Moscow
(Warner Home Video)

Growing up in the West it’s often easy to forget that in some countries music was, indeed still is, something you have to fight for. It’s also easy to forget, given the level of fear and loathing most Americans who grew up in the cold war era experienced, how big a decision it must have been for Metallica, The Black Crowes and Pantera to actually agree to journey to the heartland of communism, for their first ever open air rock festival, glasnost or no glasnost especially when they are confronted with a the ridiculously over the top, confrontational, Russian Army whose ‘if you don’t understand it, like it or feel happy watching it have fun, hit it with a stick’ and constant circling helicopters approach to crowd control (an approach which would utterly horrify any western concert goer). As for the performances? Well Pantera deliver their usual heads down, no nonsense blitzkrieg, The Black Crowes then chill everyone back out and get ‘em dancing, and if you have never understood the appeal of Metallica then a brief squizz at thier testosterone fuelled freight train in full flow will answer a few questions which just leaves the mighty AC/DC to lift the crowd into orgasmic orbit. Powerful stuff.

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Various Artists
The A.I.M.S Gala
(Warner Music/Classic Pictures)

Set up initially to help struggling artists get a free day in the recording studio (courtesy of the Rolling Stones mobile truck), this show was then organised so the best of the bands could also play live in a major venue (in this case London's Royal Albert Hall). Aware that he might need to sweeten the pot somewhat for the punters Bill Wyman, who’s idea this was, then asked a bunch of his showbiz pals to pole up and ensure the place was rammed – Great Ormond Street Hospital bagged the resultant door money. Needless to say, as is always the case with these things, there are some sloppy performances and duff jams but, as is also often the case, there are some great moments, like Elvis Costello and Chrissie Hynde duetting on ‘Days’ and it’s always great to see Ian Dury in action, especially looking as fit and healthy as he does here (the show was recorded back in 1988). For star spotters the backing band includes Bill Wyman, Ronnie Wood, Eddie Grant, Phil Collins, Terence Trent D’Arby (currently residing in the ‘where are they now’ file) and extras include all the bands the show was initially created for and some spoof rocker moments from Comic Strip(pers) Bad News.

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Various Artists
Freestyle – The Art Of Rhyme
(Palm Pictures)

Tracing the birth of hip hop from jazz pioneers like John Coltrane through the fiercely political Last Poets and onto DJ Kool Herc’s transplanting of Jamaican toasting into the South Bronx and beyond to today’s cutting edge beat poets like Mos Def and Akim Funk Buddha, Freestyle – The Art Of Rhyme trips lyrically down memory lane with a host of big name artists. But it’s lesser known (in the UK at least), freestyle wordsmiths like Supernatural and Juice, true freestylers who pluck rhymes from thin air and go head to head with anyone who feels they might lyrically best them (as highlighted in the Eminem movie 8 Mile), that really make this documentary crackle with energy. Indeed if you recall hearing hip hop back in the day when gangsta rap was just one of many strands in the story, before monosyllabic macho grunting by the likes of Fiddy Cent steamrolled over the art of rhyme then pick this up and remind yourself just what it was that turned you on in the first place, and perhaps more importantly discover how alive, well and positively bristling with energy that same art of rhyme is in the clubs, in schools and out on the street.

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Various Artists
Glastonbury Anthems – The Best Of 1994 to 2004 (EMI)

Ask twenty different people who attended in the same year about their Glastonbury experience and you will get twenty different answers. At least half of ‘em will have completely missed whatever act it was they specifically went to see, another five will have spent all their time watching performers they’d never have considered watching before (and generally thoroughly enjoying ‘em), at least three will have got so completely mashed they won’t recall anything remotely useful, one will have third degree burns/rampant trenchfoot (delete as weather demands) and one will remain forever obsessed with a clown that juggled children. All of which makes this DVD rather less of a Glastonbury experience and more of an excuse to cobble together a collection of great acts on one tape, and not everything here is exactly essential. Robbie Williams murdering Angels, and Moby’s stilted plod through Why Does My Heart Feel So Bad spring to mind, but Faithless, Basement Jaxx, Blur, Radiohead, Paul McCartney (who offers a massed romp through Hey Jude) and festival stalwarts The Levellers do more than enough to raise a smile and when you add some mooching around in the Green Field you have more than enough treats to tide you over until this years version.

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Various
WarpVision
(Warp)

If you've never seen the Aphex Twin's 'Window Licker' or 'Come To Daddy' videos or indeed Squarepusher's 'Come On My Selector' (astonishingly demented electronica choreographed into eye-boggling - and in the case of 'Come To Daddy' genuinely disturbing - visual images by the equally deranged director Chris Cunningham), then you could do far worse than pick up a copy of WarpVision for these three groundbreaking examples of the video makers art alone. But they aren't alone, there are in fact another 29 videos here - alongside a mix CD - ranging from Alex Rutterford's synapse frying animation of Autechre's astonishing 'Gantz_Graf', through the unsettling trio of 'Tied Up', 'Freak' (both by LFO and directed by David Slade and Daniel Levi respectively) and Chris Clark's creepy 'Gob Coitus' directed by Lynn Fox. It's not all scary head-mash material though as the daft as a dishcloth paper eating John Callahan's 'I'm Not Comfortable Inside My Head', Aphex Twins mentalist dancing teddy bear's on Donkey Rhubarb (also David Slade) and anything by the barmpot Jamie Liddle (courtesy of Director Frederic D) lighten the proceedings considerably. If you only buy one music DVD this year this should be the one, great label, great music, great images.

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